What Is In Yer Face Theatre?

What kind of theatre is in-yer-face theatre?

WHAT? In-yer-face theatre is the kind of theatre which grabs the audience by the scruff of the neck and shakes it until it gets the message. The sanitized phrase ‘in-your-face’ is defined by the New Oxford English Dictionary (1998) as something ‘blatantly aggressive or provocative, impossible to ignore or avoid’.

Why was in-yer-face Theatre created?

‘In-your-face’ originated in American sports journalism during the mid-1970s as an exclamation of derision or contempt, and gradually seeped into more mainstream slang during the late 1980s and 1990s, meaning ‘aggressive, provocative, brash’.

What influenced in-yer-face theatre?

Sierz also mentions Alfred Jarry (theatre of the Absurd) and Antonin Artaud (theatre of Cruelty) as major influences. Both have tackled the subject of violence, and have critiqued men’s stupidity and modern life through a new kind of writing.

Who Founded in yer face Theatre?

A term coined and energetically promoted by Aleks Sierz in his book In-Yer-Face Theatre: British Drama Today (2001) and in an accompanying website (see below), to refer to a new wave of British drama of the 1990s that was notable for its provocative uses of obscene language, nudity, violence, and taboo subject-matter.

What style of performance can you create through physical Theatre?

Physical Theatre is a type of performance where physical movement is the primary method of storytelling; as opposed to, say, text in a play or music and lyrics in an opera. Also, it may incorporate other techniques such as mime, gesture and modern dance to create performance pieces.

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What is an immersive theatrical experience?

The definition of immersive theatre states ‘Immersive theatre is a presentational or theatrical form or work that breaks the “fourth wall” that traditionally separates the performer from the audience both physically and verbally’.

What influenced Theatre of the absurd?

Absurdist Theatre was heavily influenced by Existential philosophy. It aligned best with the philosophy in Albert Camus’ essay The Myth of Sisyphus (1942). In this essay, Camus attempts to present a reasonable answer as to why man should not commit suicide in face of a meaningless, absurd existence.

Who influenced Sarah Kane?

Kane admired Bond’s work, and he in turn publicly defended Kane’s play and talent. Other dramatists whom Kane particularly liked and who could be seen as influences include Samuel Beckett, Howard Barker, and Georg Büchner, whose play Woyzeck she later directed (Gate Theatre, London 1997).

Why did Sarah Kane write crave?

Crave is a one-act play by British playwright Sarah Kane. The play was initially presented under the pseudonym Marie Kelvedon; Kane used a pseudonym to avoid the distraction of her reputation for graphic staged violence from her previous works. Crave was Kane’s fourth play.

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